Saturday, August 30, 2025

The semicolon defended by its advocates


A research discovered that semicolons are in steep decline; I stay loyal.

Its dectractors could be fairly virulent. It’s generally taken as a signal of affected elitism. Adrian Mole, the pretentious schoolboy protagonist of Sue Townsend’s standard novels, says snobbishly of Barry Kent, the skinhead bully at his college: “He would not know what a semicolon was if it fell into his beer.” Kurt Vonnegut (whose novels aren’t totally freed from semicolons) mentioned semicolons represented “completely nothing” and utilizing them simply confirmed that you just “went to varsity”.

The prevailing emdash—a shibboleth of the millenial author, particularly with an off-the-cuff exclamation mark!—is a poor alternative.

I get the antipathy to semicolons, which are likely to make writing extra sophisticated and concepts more durable to unravel. However one hatred tends to talk for one more:

American journalist James Kilpatrick denounced the semicolon “girly”, “odious”, and the “most pusillanimous, sissified totally ineffective mark of punctuation ever invented”.

Even Cormac McCarthy used semicolons, if not often. Roslyn Petelin, writing professor on the College of Queensland, explains what they’re good for.

1) it separates impartial clauses, however establishes a relation between them. It means that the statements are too carefully linked to face as separate sentences. For instance: “Speech is silver; silence is golden.”

2) it may be used to make clear a sophisticated checklist. For instance: “Keep in mind to examine your grammar, particularly settlement of topics and verbs; your spelling, particularly of difficult phrases reminiscent of ‘liaison’; and your punctuation, particularly your use of the apostrophe.”

The Monetary Occasions sides with the squiggle: “Semicolons carry the drama; that is why I like them.”

Neglect the haters and doubters; this under-appreciated punctuation mark is a author’s good friend, beloved of Charles Dickens, Henry James and Virginia Woolf. The semicolon — a comma with a full cease for a hat, and generally referred to as a super-comma — can sashay into prose and remodel it in a means {that a} full cease, comma or perhaps a sprint can’t.

I would wish to take this chance to unveil the hypercolon.

What do you utilize a hypercolon for? To attribute asides; for intrusive ideas; to introduce lists of issues that do not exist; inline footnotes; and to suggest inter-process communications in literary contexts.



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